This clock is the director, the scenes of Gucci

  Frida Giannini is on top of his game, literally! As creative director for Gucci and the subject of the Director: A change in three acts, which premiered this week at the Tribeca Film Festival, she has a hand in the creation of the individual elements under the brand name.

Act one takes a look at the origins of the fashion house as a manufacturer of leather goods in the early 1920s and its rise as a souvenir for Italian brightest Hollywood in the late famed 60 and 70 years In his first collection for the brand, she turned to Kelly scarf floral print with the heritage of the fashion house, which was emblematic of his family, and led to a commercial success. The public sees the initiative to take in all aspects, including the meeting with Anna Wintour, accessories available, hosting parties and the selection and coaching models for his shows. "When you are planning a fashion show to think about a dream, and when I dream, I love working with young people," she says in the film.

Draw the connection to the Young Hollywood today, the film takes a look behind the scenes of a shoot with the manufacturer and the face of the brand Documentary, James Franco. Gianni finds that it takes a lot to be a Gucci man. "To be a Gucci boy, you must be very confident, very powerful, very sensual," Giannini said she supports a model in order to show their fall 2012 men's fashion. "You're the most beautiful man in the world."

Giannini, like many other designers for the emerging markets, which took the brand all the way to Shanghai looking to be two. Between snapping vintage finds for archives in Beijing, Giannini put on the first track of the show brand with some of the hottest models as well as China unveiled its campaign with actress Fan Bingbing.

For the third act, watching the audience as she his Spring 2013 collection women joke about a "mobile Flintones chic" as Lucite clutch, the reflections of his ascent published in the ranks of his parents during a private family life revealed her pregnancy hairdresser Luigi Murenu makeup artist Pat McGrath and when she thought the microphones were off, "When I was a kid, I always saw myself a mother with a beautiful family." - She says early in the film, but now sees her child as a way to step back a little and enjoy the company of other aspects of his life away.

Since the swirls of bright colors and the collection on the catwalk, bringing it to his eye for the aesthetic of the brand. "For me, clothes are still primarily a way for people to be attractive," she said Giannini. "I do not think a woman can be a difficult process., You can be soft and sensual and feminine. I think this is the strongest part."

Dive deep into the film mode to open the eyes of the beholder and casual fashion gets down to the business of maintaining a brand that is the curiosity of the sartorially savvy persons, while showing the incredible capacity for Frida Giannini preservation of the life and career of the equilibrium successfully. The film will be shown in the rest of the week and it's worth it!